Pressure review – stormy weather in tense D-day forecast retelling

Andrew Scott delivers a nuanced performance as meteorologist James Stagg in “Pressure,” a slick and watchable period drama that re-examines the historic gamble of the D-Day landings in 1944. Directed by Anthony Maras and adapted from his own play by David Haig, the film balances its theatrical origins with a compelling narrative, though it occasionally slips into cheesy territory and lacks deeper reflection.

Scott portrays Stagg, a brilliant Scottish scientist attached to the military, who arrives at the top-secret Allied base in Southwick House, Hampshire. Clad in an RAF uniform with a short-back-and-sides haircut and a prominent mustache, Stagg is resolute in delivering an outlier forecast of bad weather to Allied Commander Dwight “Ike” Eisenhower, played with bullish energy by Brendan Fraser. He urges Eisenhower to delay the planned June 5 start of Operation Overlord, a decision that ultimately changes the course of history.

The film introduces tension through the character of Col. Irving P. Krick, portrayed by Chris Messina. Krick is a swaggering, gung-ho American meteorologist who has enjoyed Eisenhower’s confidence until Stagg’s arrival. In a vivid opening scene, Krick shimmies and bops to the Andrews Sisters’ “Boogie-Woogie Bugle Boy” in the operations room, much to the astonishment of the uptight Stagg. As overall commanding officer, Stagg immediately orders the piano removed, setting the stage for their clash of personalities and professional rivalry.

While “Pressure” offers a fresh perspective on a well-trodden historical moment, its theatrical roots are evident in its staging and dialogue. Nevertheless, the strong performances from Scott, Fraser, and Messina, along with the intriguing central conflict over weather forecasting, make it a engaging watch for fans of wartime dramas.