The fictional Hillman College, central to the iconic 1980s NBC sitcom, has long been remembered as one of television’s most vividly realized yet never-filmed universities. With its maroon and white colors, Latin motto meaning “God is not done with you yet,” and bustling campus life, the show created a sanctuary for Black students navigating higher education. Now, Netflix has returned to this beloved setting with a new 10-episode dramedy aimed at Gen Z audiences, maintaining a strong tether to its predecessor through executive producer and director Debbie Allen, who shaped the original series’ success.
The revival centers on Deborah Wayne, portrayed by Maleah Joi Moon, the daughter of the show’s original golden couple, Dwayne and Whitley Gilbert-Wayne. While the new episodes may lack the sharp wit and energetic spark that defined the classic series, they compensate with vibrant characterizations and a thoughtful exploration of how personal lives intersect with political realities. The tone aligns more closely with modern teen dramas like All American: Homecoming and the Fresh Prince reboot Bel-Air, rather than attempting to replicate the multi-camera sitcom format of the past.
Deborah embodies a blend of her parents’ contrasting backgrounds—brilliant and grounded like her mathematician father from Brooklyn, yet possessing the flair of her Southern belle mother. As a second-generation Hillmanite, she navigates campus dynamics while her parents hold prominent roles: Dwayne as provost and Whitley as a successful beauty mogul deeply involved in alumni affairs. The series reintroduces beloved figures such as Professor Freddie Brooks, played by Cree Summer, and Pit owner Nellie Gaines, portrayed by Famecia Ward, offering longtime fans a sense of continuity while exposing viewers to the hidden complexities of university bureaucracy.
The narrative focuses heavily on Deborah’s peer group, including her roommate Rashida Duvall, a driven scholarship student played by Alijah Kai, and Hazel Henry, portrayed by Kennedi Reece. Also prominent is Shaquille, played by Cornell Young IV, a football star who chose Hillman over Division 1 offers, and Amir Rodale, played by Jordan Aaron Hall, who becomes the franchise’s first openly gay main character. Their stories tackle contemporary issues such as learning disability stigma, cultural tensions within the Black community, and the financial challenges facing Historically Black Colleges and Universities amid shifting federal policies on diversity initiatives.
Critics note that while the revival lacks the lightning-in-a-bottle chemistry of the original, it makes a principled decision to adopt a more serious tone appropriate for today’s climate. The original series balanced humor and gravity during a post-civil rights era of optimism, whereas the new iteration reflects a generation shaped by backlash and uncertainty. By avoiding forced nostalgia and allowing themes to develop across episodes rather than relying on standalone moral lessons, the show honors its heritage while acknowledging that the world today is indeed different.
Amar is a welcomed addition. Hillman finally getting an openly gay lead feels like the right evolution for the franchise.
I miss the laugh track energy, but the serious tone actually respects the current state of HBCUs. Respect.